Matt

Suppressed by the KGB, Life and Fate is a rich and vivid account of what the Second World War meant to the Soviet Union. 
On its completion in 1960, Life and Fate was suppressed by the KGB. Twenty years later, the novel was smuggled out of the Soviet Union on microfilm. At the centre of this epic novel looms the battle of Stalingrad. Within a world torn apart by ideological tyranny and war, Grossman's characters must work out their destinies. Chief among these are the members of the Shaposhnikov family - Lyudmila, a mother destroyed by grief for her dead son; Viktor, her scientist-husband who falls victim to anti-semitism; and Yevgenia, forced to choose between her love for the courageous tank-commander Novikov and her duty to her former husband. Life and Fate is one of the great Russian novels of the 20th century, and the richest and most vivid account there is of what the Second World War meant to the Soviet Union.

The first new Penguin Classics translation in forty years of Victor Hugo’s masterpiece, the subject of The Novel of the Century by David Bellos—published in a stunning Deluxe edition. Winner of the French-American Foundation & Florence Gould Foundation’s 29th Annual Translation Prize in Fiction.

The subject of the world’s longest-running musical and the award-winning film, Les Misérables is a genuine literary treasure. Victor Hugo’s tale of injustice, heroism, and love follows the fortunes of Jean Valjean, an escaped convict determined to put his criminal past behind him, and has been a perennial favorite since it first appeared over 150 years ago. This exciting new translation with Jillian Tamaki’s brilliant cover art will be a gift both to readers who have already fallen for its timeless story and to new readers discovering it for the first time. 

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Thomas Mann's first great novel, written at the age of 25, is an epic study of decadence among the merchant families of Hamburg at the end of the nineteenth century. The novel is based on Mann's own experience as the son of a German merchant prince, but it goes far beyond his own experience in its sweep and comprehensiveness.

A dead body is dredged from the Thames, presumed to be the son of wealthy miser John Harmon, in Dickens’ final novel, Our Mutual Friend.

John Harmon made his fortune collecting ‘dust’, and on his death his estranged son is due to inherit his wealth on the condition that he marry Bella Wilfer, a young woman who he has never even met. But when his son is presumed dead, John’s riches pass to his servants Mr and Mrs Boffin and they in turn take Bella into their own home. They hire a secretive young man, John Rokesmith, to be Mr Boffin’s secretary – but what is this man’s real identity and what is his interest in Bella?

In his last complete novel with its expansive cast of characters and interweaving plots, Dickens exposes the corrupting power of money.

One of the great landmarks of modern history publishing, Simon Schama's Citizens: A Chronicle of the French Revolution is the most authoritative social, cultural and narrative history of the French Revolution ever produced.

'Monumental ... provocative and stylish, Simon Schama's account of the first few years of the great Revolution in France, and of the decades that led up to it, is thoughtful, informed and profoundly revisionist'
Eugen Weber, The New York Times Book Review

'The most marvellous book I have read about the French Revolution'
Richard Cobb, The Times

'Dazzling - beyond praise - He has chronicled the vicissitudes of that world with matchless understanding, wisdom, pity and truth, in the pages of this marvellous book'
Bernard Levin, Sunday Times

'Provides an unrivalled impression of the currents and contradictions which made up this terrible sequence of events'
Antony Beevor, Express

Simon Schama is University Professor in Art History and History at Columbia University in New York, and one of the best-known scholars in Britain in any field. He is the prize-winning author of numerous books, including Dead Certainties (Unwarranted Speculations), Landscape and Memory, Rembrandt's Eyes and three volumes of A History of Britain. He is also the writer-presenter of historical and art-historical documentaries for BBC Television. He lives outside New York City with his wife and children.

The fourteenth century was a time of fabled crusades and chivalry, glittering cathedrals and grand castles. It was also a time of ferocity and spiritual agony, a world of chaos and the plague.

Here, Barbara Tuchman masterfully reveals the two contradictory images of the age, examining the great rhythms of history and the grain and texture of domestic life as it was lived: what childhood was like; what marriage meant; how money, taxes and war dominated the lives of serf, noble and clergy alike.

Granting her subjects their loyalties, treacheries and guilty passions, Tuchman recreates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, above all, knights. The result is an astonishing reflection of medieval Europe, a historical tour de force.

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. George Eliot's most ambitious novel is a masterly evocation of diverse lives and changing fortunes in a provincial community. Peopling its landscape are Dorothea Brooke, a young idealist whose search for intellectual fulfillment leads her into a disastrous marriage to the pedantic scholar Casaubon; the charming but tactless Dr Lydgate, whose marriage to the spendthrift beauty Rosamund and pioneering medical methods threaten to undermine his career; and the religious hypocrite Bulstrode, hiding scandalous crimes from his past. As their stories interweave, George Eliot creates a richly nuanced and moving drama, hailed by Virginia Woolf as 'one of the few English novels written for adult people'.

“Propulsive . . . The novel’s chaotic sprawl, black humor and madcap digressions make it a thrilling rejoinder to the tidy story arcs [of] most crime fiction.” —The Wall Street Journal

Winner of the PEN/Robert W. Bingham Prize for Best Debut Novel

Named a Best Book of the Year in the Wall Street Journal, Houston Chronicle, and Philadelphia City Paper

A Naked Singularity tells the story of Casi, born to Colombian immigrants, who lives in Brooklyn and works in Manhattan as a public defender—one who, tellingly, has never lost a trial. Never. In the book, we watch what happens when his sense of justice and even his sense of self begin to crack—and how his world then slowly devolves. 

A huge, ambitious novel in the vein of DeLillo, Foster Wallace, Pynchon, and even Melville, it’s told in a distinct, frequently hilarious voice, with a striking human empathy at its center. Its panoramic reach takes readers through crime and courts, immigrant families and urban blight, media savagery and media satire, scatology and boxing, and even a breathless heist worthy of any crime novel. If Infinite Jest stuck a pin in the map of mid-90s culture and drew our trajectory from there, A Naked Singularity does the same for the feeling of surfeit, brokenness, and exhaustion that permeates our civic and cultural life today. In the opening sentence of William Gaddis’s A Frolic of His Own, a character sneers, “Justice? You get justice in the next world. In this world, you get the law.” A Naked Singularity reveals the extent of that gap, and lands firmly on the side of those who are forever getting the law.

“A great American novel.” —Toronto Star

Fyodor Dostoevsky’s classic tale of one man’s pure innocence in the face of a society obsessed with power, money, and manipulation

The twenty-six-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and “be among people.” Even before he reaches home he meets the dark Rogozhin, a rich merchant’s son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement. In Petersburg the prince finds himself a stranger in a society obsessed with money, power, and manipulation. Scandal escalates to murder as Dostoevsky traces the surprising effect of this “positively beautiful man” on the people around him, leading to a final scene that is one of the most powerful in all of world literature.
 
Richard Pevear and Larissa Volokhonsky’s masterful translation of The Idiot is destined to stand with their versions of Crime and Punishment, The Brothers Karamazov, and Demons as the definitive Dostoevsky in English.

'What is a self, and how can a self come out of inaminate matter?' This is the riddle that drove Hofstadter to write this extraordinary book. Linking together the music of J.S. Bach, the graphic art of Escher and the mathematical theorems of Godel, as well as ideas drawn from logic, biology, psychology, physics and linguistics, Douglas Hofstadter illuminates one of the greatest mysteries of modern science: the nature of human thought processes. 'Every few decades an unknown author brings outa book of such depth, clarity, range, wit, beauty and originality that it is recognized at once as a major literary event. This is such a work' - Martin Gardner

A virtuosic epic applauded by Stanley Crouch as “an adventurous masterwork that provides our literature with a signal moment,” back in print in a definitive new edition

“I have an awful memory for faces, but an excellent one for voices,” muses Joubert Jones, the aspiring playwright at the center of Divine Days. A kaleidoscopic whorl of characters, language, music, and Black experience, this saga follows Jones for one week in 1966 as he pursues the lore and legends of fictional Forest County, a place resembling Chicago’s South Side. Joubert is a veteran, recently returned to the city, who works for his aunt Eloise’s newspaper and pours drinks at her Night Light Lounge. He wants to write a play about Sugar-Groove, a drifter, “eternal wunderkind,” and local folk hero who seems to have passed away. Sugar-Groove’s disappearance recalls the subject of one of Joubert’s earlier writing attempts—W. A. D. Ford, a protean, diabolical preacher who led a religious sect known as “Divine Days.” Joubert takes notes as he learns about both tricksters, trying to understand their significance.

Divine Days introduces readers to a score of indelible characters: Imani, Joubert’s girlfriend, an artist and social worker searching for her lost siblings and struggling to reconcile middle class life with her values and Black identity; Eloise, who raised Joubert and whose influence is at odds with his writerly ambitions; (Oscar) Williemain, a local barber, storyteller, and founder of the Royal Rites and Righteous Ramblings Club; and the Night Light’s many patrons. With a structure inspired by James Joyce and jazz, Leon Forrest folds references to African American literature and cinema, Shakespeare, the Bible, and classical mythology into a heady quest that embraces life in all its tumult and adventure.

This edition brings Forrest’s masterpiece back into print, incorporating hundreds of editorial changes that the author had requested from W. W. Norton, but were not made for their editions in 1993 and 1994. Much of the inventory from the original printing of the book by Another Chicago Press in 1992 had been destroyed in a disastrous warehouse fire.

Toru Okada's cat has disappeared

His wife is growing more distant every day.

Then there are the increasingly explicit telephone calls he has recently been receiving.

As this compelling story unfolds, the tidy suburban realities of Okada's vague and blameless life, spent cooking, reading, listening to jazz and opera and drinking beer at the kitchen table, are turned inside out, and he embarks on a bizarre journey, guided (however obscurely) by a succession of characters, each with a tale to tell.

'Visionary...a bold and generous book' New York Times

'Murakami weaves textured layers of reality into a shot-silk garment of deceptive beauty' Independent on Sunday

'Deeply philosophical and teasingly perplexing, it is impossible to put down' Daily Telegraph

'Mesmerising, surreal, this really is the work of a true original' The Times